All PALMA GIOVANE Oil Paintings
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PALMA GIOVANE Apollo and Marsyas (1)a sg oil painting


Apollo and Marsyas (1)a sg
Painting ID::  8428 		Artist: PALMA GIOVANE
Painting: Apollo and Marsyas (1)a sg
Introduction: Oil on canvas, 134 x 195 cm Herzog Anton Ulrich-Museum, Braunschweig
   
   
     

 

 

 
 

 

 

 
PALMA GIOVANE Apollo and Marsyas (1) ag oil painting


Apollo and Marsyas (1) ag
Painting ID::  8429 		Artist: PALMA GIOVANE
Painting: Apollo and Marsyas (1) ag
Introduction: Oil on canvas, 134 x 195 cm Herzog Anton Ulrich-Museum, Braunschweig
   
   
     

 

 

 
 

 

 

 
PALMA GIOVANE Portrait of a Man atgy oil painting


Portrait of a Man atgy
Painting ID::  8435 		Artist: PALMA GIOVANE
Painting: Portrait of a Man atgy
Introduction: 1512-15 Oil on canvas, 93,5 x 72 cm The Hermitage, St. Petersburg
   
   
     

 

 

 
 

 

 

 
PALMA GIOVANE A Sibyl ag oil painting


A Sibyl ag
Painting ID::  8437 		Artist: PALMA GIOVANE
Painting: A Sibyl ag
Introduction: c. 1520 Oil on poplar panel, 74 x 55,1 cm Royal Collection, Windsor
   
   
     

 

 

 
 

 

 

 
PALMA GIOVANE Self-Portrait Painting the Resurrection of Christ oil painting


Self-Portrait Painting the Resurrection of Christ
Painting ID::  26768 		Artist: PALMA GIOVANE
Painting: Self-Portrait Painting the Resurrection of Christ
Introduction: 1590S Oil on canvas 126x96cm Brera,Milan
   
   
     

 

 

 
 

 

 

 
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     Check All PALMA GIOVANE's Paintings Here!
     Italian Mannerist Painter, ca.1548-1628 Son of Antonio Palma. A greater artist than his father, his vast oeuvre represents the impact of central Italian Mannerism but principally of Jacopo Tintoretto on Venetian painting in the generation after Titian, Tintoretto and Paolo Veronese. He died in his late seventies and was occasionally referred to as 'il vecchio', but since the 17th century he has been known as 'il giovane' to distinguish him from his great uncle. He was virtually self-taught, apart from a presumed acquaintance with his father's workshop. In 1567 he came to the attention of Guidobaldo II della Rovere, Duke of Urbino, who was to support him for four years. A possible knowledge of Federico Barocci's art at the court of Urbino left little trace on his surviving early works. The Duke sent him to Rome for study, where he spent a few months apprenticed to an unknown artist. There his sympathy was with Taddeo Zuccaro and Federico Zuccaro, who influenced the graphic style of the drawing of Matteo da Lecce (1568; New York, Pierpont Morgan Lib.), his first dated work. His Roman sojourn, which lasted until c. 1573-4, made a direct impact on some of his Venetian works and indirectly made him receptive to Tintoretto's style. A tendency in Rome in the 1560s to retreat from the most artificial and decorative aspects of Mannerism in favour of naturalism was also to affect Palma's attitude to style in his mature works . Related Artists to PALMA GIOVANE : | natalia goncharova | Ernst Sigismund Kirchbach | RUBENS, Pieter Pauwel | SPRANGER, Bartholomaeus | Victor Schivert |

 

 

 
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